Engraving a Serge Panchenko Bean Knife “Koi and Waves”

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Above, Serge finished making the other parts and assembled the completed knife.  Photos courtesy of sergeknives.com.

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Starting another sergeknives.com collaboration on a sweet bronze Bean knife scale, this time with a Japanese-style Koi and Waves theme. There will be a few dots of gold, and a gold koi eye.

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Sculpting the waves and the koi. It’s starting to look like something now!

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I textured all the wave surfaces today

, as well as finished the 24 karat gold inlays.

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sergeknives.com “Koi and Waves” Bean knife scale is finished! Back to Serge on Monday for assembly, I can’t wait to see how the whole package turns out… Both signatures on the backside, ’cause I couldn’t bear to interfere with the front…

Thanks for looking!

Tom Sterling

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Engraving a Serge Panchenko Bean Knife “Dogfish”

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Starting a new engraving project on one of Serge Panchenko’s sweet little Bean folding knives (sergeknives.com). This Bean knife scale is in bronze, and is a dream to cut. Just a bit under three inches long.

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Adding in the 24 karat gold inlays in the undulating bull kelp fronds. L to R , undercutting the pockets, pounding in the gold wire, trimming it back.

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Spent the day doing ophthalmology and dentistry on sergeknives.com collaboration NW-style Dogfish. Upper left, undercut and heavily stippled with a little trick for inlaying gold wire in round spots. Then, various stages of pounding in and trimming the inlaid gold.

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Finished trimming out the gold inlays today. Next, background removal and stippling, and then it will be back to Serge for assembly…

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serge knives.com Bean folding knife NW-style Dogfish finished! Left image before detailing and inking, right side finished.

Thanks for looking!

Tom Sterling

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“Bad Day at Green River” Pendant

93309_1_b93309_2_bAbove images courtesy of Bladegallery.com

Fossil_Fish_Pendant_1Starting a new experiment with engraved fossils – the “Bad Day at Green River” pendant. Titanium

, about 2 inches tall, with 24 karat gold inlays.

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Upper left, inlaid gold with no embellishment. Lower right, engraving very tiny (almost invisible) lines in the titanium just outside the gold really makes it pop.

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Adding more little fossil fishes…

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Adding in the stone finish and cutting away the recesses simulating layered stone, the top left fish fossil has the background finished like I’m planning.

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Almost done! A quick inking with burnt umber to warm it up a little and bring out the gold. Now I have to ponder it for a while…

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“Bad Day at Green River” pendant finished. Hand engraved and carved titanium, 24 karat gold inlays, silver hardware, leather neck cord. Thanks for looking and all the support!

Thanks for looking!

Tom Sterling

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Steelhead and Buckskin Pouch – for Renee

Renee wanted to know if I had any of these little carved moose antler fish for sale.  Unfortunately, for health reasons I no longer carve any kind of natural materials, so I don’t have any of the fish for sale.  She made a buckskin pouch and  also thought she might try her hand at carving her own little fish dangles.

So, thanks for the kind words Renee, and here are some better photos of the little carved

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Russian Grenade Tactical Bead

Russian_Grenade_Bead_Web_1 Starting a tactical bead with a piece of wrought iron anchor chain from the late 1800s. A huge pain to true up this wonky thing in the lathe…lower left, a chunk of the original and the turned piece.  I didn’t ruin the carbide lathe cutter insert – I took it really slow, and got lucky! But I won’t be doing it this way again…ever. I should have heated it to welding temp and twisted it really tight, as well as forging it smaller in diameter.

Russian_Grenade_Bead_Web_2Moved to a smaller lathe, cutting the basic shape of the tactical bead.  Notice the rough pits full of forge welding flux slag left by manufacturing defects of the original wrought iron (top left image).  Ironically, these defects are what gives this ancient wrought iron it’s desirable character…

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Hand carving the vertical flutes in the wrought iron grenade body with carbide bur. Lower left after pretty deep etching, lower right with the model and the finished grenade body.

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Finished turning the other two bits of the grenade bead in the lathe

, of copper and brass. Lower right image shows chasing the bottom of the brass central rivet.

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Cutting and bending the copper arming lever was something of a trick..I held the piece in a Jorgensen clamp for gross cutting, and figured out a cute trick with the drill bit I used in the lathe for the major bend (center image). Anyway, it all worked, in a blind squirrel moment!

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And here’s the Grenade Bead in final stages, and lower left, finished.  It’s a tiny bit over 7/8ths of an inch tall (not including the silver ring) and 5/8ths wide.  The grenade body is hand turned and carved late 19th century wrought iron, heavily etched to reveal the wrought texture, with a brass central core, copper arming lever and silver pin ring.  I’ve used a little artistic license to slightly rearrange the pin ring to form a better bead.  It is based on a Russian model used since WW II.

It’s not designed to come apart, but if you were to clip the soldered ring off, then it would disassemble.  The ring (thick silver, soldered closed) is where the cord is designed to attach.  It’s signed with my mark on the bottom of the central brass post (solid core, no central hole).

Thanks for looking and all of your support!

Tom Sterling

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Gold Frog Skeleton Dog Tag

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Above images courtesy of Bladegallery.com

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I’m working on an experiment based on the Frog Skeleton key tag I engraved not long ago. Clockwise , rough cut titanium mini-dogtag, my filing setup (Jorgensen woodworking clamp), the tag ready for engraving, and in the vise under the microscope.

Gold_Frog_Skeleton_Pendant_WR_2 Clockwise, engraving the lines, removing the material inside the lines, inlaying 24 karat gold in the toes, removing excess gold, and inlaid in the leg bones.

Gold_Frog_Skeleton_Pendant_WR_4 Inlaying more gold…

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Clockwise: inlaying wire in the backbone and skull, using a punch to imbed and flatten the gold, using a scraper to remove the excess, burnished and steel wooled. When all of the gold is inlaid, I’ll stone it flat and flush, and carve away the background…

Gold_Frog_Skeleton_Pendant_WR_6 Finishing up the 24 karat gold inlays: preparing the arm cavities, pounding in the gold, scraping and burnishing the gold smooth.

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Stoning with 600 grit to flatten the gold flush with the surface, then 1200 grit, then steel wool, followed by tiny cuts to true up the outlines. Now I’m ready to begin removing the background…

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Halfway through background removal…whew!

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Left to right, removing the background, background completely gone, and about half the stippling finished (lower half). Tomorrow, finish the stippling and detail the gold frog, and we’re finished!

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Here’s the Gold Frog Skeleton Pendant (catchy name, that…) all finished. Mini 2/3rds sized dogtag in Grade 2 titanium, with 24 karat gold inlay. Elegance for a man, or bold yet elegant statement for a lady!

Gold_Frog_Skeleton_Pendant_WR_11And the glamour shot!

Thanks for looking, and all of your support.

Tom Sterling

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A Tale of Two Ravens

A Tale of Two Ravens (dogtag pendants by Tom Sterling, March 2015)

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Top left image by Serge Panchenko (check out his excellent work at http://sergeknives.com)

Above is an excellent example of why I’ve been pursuing the press forming process. My intention is to produce a series of works beginning from a common start point, and individualizing each one, hopefully removing a significant bit of the labor involved.

I’ve always been jealous of the 2D arts and their ability to produce a single painting, drawing or photograph and then retire by selling prints of that same image. OK, I’m exaggerating about the “retiring” part, but you get the point. The art world calls these “multiples” and it’s great work if you can get it. Perhaps one day 3D printing in art metals will be as affordable as inkjet color prints (OK

, Giclée for the art savvy) , but until that day, here we are…

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Upper left then clockwise: We start with a positive (male) mold (technical term: die) for a press-formed raven dogtag, here carved from a steel bar. I’ll eventually press thin copper or silver over this steel mold…

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The mold is almost complete (above) – I just need to smooth the back side of the raven’s head.

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Here’s the finished raven mold in the press, and beginning the pressing process.

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It took four separate pressings, with hammering out wrinkles, annealing and pickling (dissolving the black oxides from the copper) in between, to get the pressing ready for chasing and engraving…

This is the decision nexus, the point where each raven tag would go its’ own separate way to be individualized. We’ll continue on with the basic raven dogleg now…

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From the rather undistinguished generic raven head in the previous image, we begin to chase the details in, followed by engraving. Next, I’ll apply a titanium backing to make a dogtag pendant.

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Above, I’ve used a miniature copy of a blacksmith’s nail header to make rivets out of sterling silver wire. In the lower right corner, you can see the titanium backing installed with four silver rivets. Now I just need to live with it for a while to see if I’m finished, or if it needs something else added.

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And here is the Raven Dogtag completed!

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Again, the glamor shot by Serge Panchenko (http://sergeknives.com)

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Here we’re going to follow the tale of the second raven. We’ll begin exactly like the first raven by pressing the raven head from copper sheet. To make the silver helmet, I began with a pressed generic copper raven head. Placing the copper raven over the steel die, I re-pressed the head with an additional sheet of sterling silver to begin forming the silver helmet.  This will give me a second raven head in a different colored metal, that fits like a glove. Like the copper raven head, multiple pressings, wrinkle hammering, annealing and pickings were required.

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Here’s a closeup with the helmet margins drawn on the silver sheet, ready for trimming.

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Taking the pressed silver sheet all the way to a refined helmet is quite a bit of work. Above, I trimmed away everything that didn’t look like a helmet with a jeweler’s saw, then carefully refined the edges with tiny jeweler’s files. By the way, cutting out this very involved 3D shape with the saw is anything but straightforward – there are lots of awkward angles, and a fair bit of bad language is involved…  Finally, I silver soldered the helmet to the copper raven head and mounted the head on a pitch block for ready for chasing and engraving (pitch is the icky green looking stuff on the block of wood, and holds the piece securely while working).

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Chasing in the details (mostly around the eyes), and engraving the silver helmet. I engraved cuts defining the areas to be textured with a Lindsay Airgraver™ and then texture the interior areas with a tiny carbide ball bur in an NSK Electer micromotor grinder.

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Above is the finished the head and helmet. It has taken me two days of work to get to this point. Tomorrow, I’ll add the titanium back, and we should be done.

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Above, trimming the copper to fit the titanium backplate, drilling and forging rivets, and soldering the big manly silver jump ring closed.

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The Raven and Silver Helmet dog tag completed!

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And the glamor shot, with a pose blatantly stolen from my friend, Serge Panchenko.

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Here is the “Raven with Silver Helmet Dogtag,” 1 7/8 inch long, fabricated from copper and sterling silver, with a titanium back plate, and leather neck cord.

Thanks for all of the support and encouragement!  And, thanks for looking!

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Titanium Frog Skeleton Keychain Tag

Frog_Skeleton_Titanium_Pendant_1Beginning a titanium keytag in Japanese shishiaibori style, with very deep outlines and 3d sculpting inside.  The top left image shows jus a bit of the first cutting with a wide “V” graver, the middle is twice around with decreasingly narrow “V” gravers, and the bottom right image shows all of the outlines at full depth, and beginning to sculpt the head.

The technique starts out with a very deep outline (takes me three times around with three different gravers to get deep enough, and heavily cutting each time). Then, the inside edges are carefully carved back, rounding them over to achieve a 3D look. Obviously, you need to have steeper sides in some areas, and shallower sides in others to achieve the 3D look.

The main point is there is no background removal, as in normal US and European engraving, and all of the design is at or below the surface, so wear and tear on the engraving should be less of a concern.

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Above , the keytag in various states of in-progress and finished.

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The complete titanium (grade 2 Ti) keytag in Japanese shishiaibori technique (carved completely below the surface).

Thanks for looking!

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Yet Another Baby Sea Turtle Pendant

baby_sea_turtle_II_1 Back to work with a baby sea turtle tag.  I swear this is the last one!  Top left then clockwise – cutting out, soldering on silver backing, and rough grinding…

baby_sea_turtle_II_3Upper left image

, deepened the background by twice around the edges with a square graver.  Bottom right image, beginning the sculpting (rounding) with a flat graver.

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Top left then clockwise – sculpting the shell and head with carbide burs and tiny punches. Not much depth to work with, but fortunately a little goes a long ways…

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Finished the front side by marking out the turtle tracks, carving them in the textured sand. Bottom, smoothed and final patina. Next, the gold sand dollar on the back.

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Finishing up the back. From top left then clockwise, creating the pocket for the inlaid gold sand dollar, roughing up the bottom, setting the 24 karat gold wire, smoothing and detailing the sand dollar…

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Baby Sea Turtle Tag finished! 1.5 inches tall, front is hand engraved and carved stainless steel, sterling silver back with inlaid 24 karat gold sand dollar. Thanks for looking!

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William Henry Dragonfly Bolster Knife Scales

William Henry Dragonfly Bolster Knife Scales Work-in-Progress
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The images above are of the finished knife, and courtesy of the good folks at http://www.williamhenry.com.

William_Henry_B12_Bolster_Dragonfly_1 Starting on a William Henry knife scale with dragonfly theme – this is the back end bolster.

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Here , I’ve been excavating and undercutting the pocket for the gold inlay.  So far, I’ve inlaid 24 karat gold into half of the body.

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The end bolster inlaid with gold and finished.  This is about a day’s engraving for me.  Next, the main themed front bolster…

William_Henry_B12_Bolster_Dragonfly_3 The William Henry front bolster with the major lines engraved…and some of the wispy tail excavated for gold inlay.  It’s about a full day of engraving (for me) to cut the major lines of the front bolster, and excavate the body and looooong tail ready for gold inlay, so this far has taken me two days of work…

William_Henry_B12_Bolster_Dragonfly_4aInlaying gold in the wispy tail – this is pretty easy as inlay goes, since it is just one width of gold wire.

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Most of the gold inlaid today…

William_Henry_B12_Bolster_Dragonfly_5 Most of the gold work is finished, except for a bit of shading detail on the dragonfly body at the end…this is the end of day three of engraving…

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The gold is in and background being excavated.  Next I’ll stipple the background, detail the wings, then add shadow details to the gold body.  Not long for this side…this is the end of the fourth day.

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Finished the background stippling today…Right now the background is just a million tiny holes (stippling). The last thing I will do is to make it even darker by inking the low spots, and wiping it off of the high spots…

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With the finished detailing of the wings and the shading of the gold body, this side is finished!  End of day five.

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Here’s the finished scale, with the fossil ivory center inlay in place. Very pretty!

William_Henry_B12_Bolster_Dragonfly_9I haven’t been a complete slug over the holidays, and finished the other side of the William Henry dragonfly knife scales.  Here are both sides of the scales.  I took my time on Side B over the Christmas holidays, but I could probably have finished this side (since I’m pretty practiced up on this design!) in four days.

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The images above are of the finished knife, and courtesy of the good folks at http://www.williamhenry.com.

Thanks for looking!

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